Showing posts with label Volume 2 of the trilogy. Show all posts
Showing posts with label Volume 2 of the trilogy. Show all posts

Monday, February 11, 2013

Un petit saut à Paris et on revient! // A short hop to Paris and back again!

L'Hôtel de Massa à Paris, siège de la SGDL // The Hôtel de Massa in Paris, HQ of the society of authors


Bonjour chers visiteurs! // Hello dear visitors!

La semaine dernière, je suis allée à Paris pour assister à un cocktail à la Société des Gens de Lettres, une très ancienne et respectable institution, mélange parfait de club et de syndicat pour auteurs. L'ambiance était incroyablement chaleureuse et amicale, et je me suis sentie faire partie d'un groupe, en contraste avec le fréquent sentiment d'isolement qui est le lot de tous les écrivains. //  
Last week I went to Paris to attend a cocktail party at the Société des Gens de Lettres, a very old and respectable society of authors, like a club and a trade union rolled into one. The atmosphere was incredibly warm and friendly and it made me feel part of a group as opposed to my usual feeling of isolation, which is the lot of all writers.

Lors de mon très court séjour, j'ai aussi rencontré deux lecteurs enthousiastes, un adulte et un adolescent de 14 ans, et j'ai reçu
de ce dernier un cadeau merveilleux. Il m'a montré l'exposé sur mon livre qu'il avait fait pour l'école, une superbe présentation Powerpoint. Ce qui m'a fait le plus plaisir c'est qu'il ne lit d'habitude que des mangas. Je me suis sentie vraiment reconnaissante et heureuse. //   
During my short stay I also met a couple of enthusiastic readers, an adult and a 14 year old boy, and received an absolute treat from the latter. He showed me a presentation of my book, a brilliant Powerpoint display, he had done for school. What was the most exciting thing for me was that he usually reads only mangas. I felt really grateful and happy...

Epuisée, mais aussi animée d'un enthousiasme renouvelé, je suis maintenant de nouveau chez moi en Grande-Bretagne. Le Vertige du Rhombus est presque terminé mais ce qu'il me reste à écrire n'est pas sans difficulté. Quand je suis partie pour Paris, j'avais écrit 113.610 mots et laissé mes personnages dans les deux époques (en 1942 et en 2012) à l'orée de la confrontation et de l'apothéose finales. Maintenant je dois me rassembler pour la difficile dernière ligne droite. Souhaitez-moi bonne chance! //
Exhausted but also filled with fresh enthusiasm, I'm now back home in Britain. The Vertigo of the Rhombus is almost finished but what's left to write is not easy. When I left for Paris I was 113.610 words in and left my characters, on both timelines (1942 and 2012), on the very edge of the final showdown / climax. Now I must gather myself for the difficult homestretch. Wish me luck!

Le soir du cocktail // On the evening of the party

La tapisserie des créateurs de la SGDL (dont Balzac et Hugo!) // A tapestry of the society of authors' founding members (including Balzac and Hugo!)

Rencontres avec de charmants auteurs // Meeting lovely authors


Wednesday, November 7, 2012

The Next Big Thing...


THE NEXT BIG THING (La traduction en français est ICI)

I was tagged to be part of an internet meme (a viral sort of thing on the Internet) by the lovely and talented Rachel Ward, whose own version appeared here last Wednesday. It’s an opportunity to talk about a work in progress, and I’m really excited to be involved. 

1- What is the title of your next book?

The Vertigo of the Rhombus.

2- Where did the idea come from for the book?

This book is the second volume of a trilogy entitled “The Masters of the Storm” – the first volume, The Mark of the Storm, was published in France in April 2012 and the last volume, The Voice of the Egregor, is due in 2014. It’s a trilogy that takes place on an imaginary and very mysterious island off the coast of Brittany during WW2 (from Volume 2 part of the story also takes place in 2012). 

My childhood in Brittany lies at the heart of my imagination and of the inspiration for my trilogy. I was brought up surrounded by wild and atmospheric landscapes, Breton legends and family stories of the Second World War. All these form the core of my next book.

3- What genre does your book fall under?

It’s a bit of a mixture to be honest as it could be filed under quite a few labels: adventure, history, historical fantasy, magical realism, fantastic realism (a term I sort of made up for it!), Celtic legends, initiation, quest… I wrote it for teenagers (from age 12) but my French publisher loved it so much as an adult (I won’t post his age here!) that he thought other adults would love it too. So it’s published in France as a cross-over and I’ve had the joy of getting feedback from people of all ages (or to be more precise from ages 12 to 80 something!).

4- What actors would you choose to play the part of your characters in a movie rendition?

My characters were born in my head and are reborn in the head of each of my readers so no actors immediately come to mind. If a director wanted to make my books into movies, he/she would have to do the casting for me. In an ideal world I’d love for my main characters to be played by unknowns who would take on their identity. Also I’d prefer the roles to be played by Europeans rather than Americans -- if possible!

Actually what sometimes happens is that I meet people in real life that have my characters’ features, which is each time an exhilarating experience. For instance, as I was looking around on the Internet to make the trailer for my first book, I found the photo of a German girl in 1940 who looked uncannily like Marwen, one of my main characters. Also, no later than last week while on holiday in Scotland, I met a pretty young woman who is exactly as I visualize the character of Marie-Louise in my book (see photos beneath).



A 1940 German girl is the image of my character Marwen.


A lovely young Scottish woman I met last week was the spitting image of my character Marie-Louise.









 
5- What is the one sentence synopsis of your book?

Sorry, two sentences instead of one!

“In 1942 and 2012, on a mysterious island battered by fierce thunderstorms, two adolescents have to fight the darkest of evils in the shape of the Rhombus, an infernal machine created by Nazi scientists. Will they be able to survive the vertigo of the Rhombus and save their souls, as well as those of the other islanders?”

6- Will your book be self-published or represented by an agency?

It will be published by my French publisher, Pascal Galodé, in May/June 2013. I don’t have an agent as it’s not done at all in France, where authors have to deal directly with publishers. I hope with all my heart that my trilogy will one day get translated into English and published in Britain – fingers crossed!
 
7- How long did it take you to write the first draft of the manuscript?

I’m still writing it at the moment! Overall it will be about a year to get it all done. I work in a way that means my finished first draft is pretty much the final product. I sort out problems as I go along, mainly in my head (a sometimes unnerving way of working as it means quite a few stops and starts!). Since I want the plot in this story to be as exciting and meaty in both time periods (1942 and 2012), it’s meant writing two parallel books in one, each with their own crises and climaxes. I have a detailed road map for my two plots but I also adapt to what inspiration and the characters throw into my path as I write the story. It can be a challenge but I love doing it!

8- What other books would you compare this story to within your genre?

This is a difficult question. I tend to read a massive amount of books for my research but they’re never similar to what I’m writing (i.e. the actual story is like nothing I’ve read before). I need to feel free in my imagination. So it’s from my readers that I get the answer to this question. I’ve been told that the first book reminded some of them of Carlos Ruiz Zafon’s novels. Also, when I saw the movie “Pan’s Labyrinth” I was struck by the similarities with my trilogy. 

9- Who or what inspired you to write this book?

Following on from my brief answer to Question 2!

Saint-Malo in Brittany, where I come from, was totally destroyed in 1944 and rebuilt lovingly by its inhabitants after the war. My great uncles, the youngest being 17 years old at the time, left Saint-Malo to join the free French forces in England in 1940 or stayed home and became members of the resistance. Their stories were like adventure yarns and affected me deeply when I was a child and a teenager. 

As to the more supernatural / occult side to my story, that comes from the Celtic legends and the strange and wondrous world of my Catholic religious education (a strong influence on most Breton people). Magic is only a footstep away from everyday life for most children and it stays that way for adults who are ready to look for it in their heart. This sensitivity to magic is what has kept me fascinated by the wonderful and strange aspects of real life and by the stories and tales of our ancestors. So, as a conclusion, I could say that the inspiration for this book and trilogy comes from the eternal child in me.

10- What else about your book might pique the reader’s interest?

Beyond the obvious pacey adventure story, I think the fact that many of the supernatural / magic / fantasy aspects in the story are actually deeply rooted in reality will interest the reader. 

For instance Marwen’s gift of second sight is mentioned a lot in folk tales and, within the same tradition, is one of the gifts many modern witches and healers claim to have. What’s fascinating about it, however, is that the USA financed a big programme of what they called “remote viewing” (in fact second sight) during the Cold War years to spy on their enemies. About four years ago, when I was researching for my trilogy, I realized moreover that one of the most well-known current “remote viewers” lived in Bath, my town! How exciting is that?

11- My 5 (actually 4) writers for next Wednesday are:





They’re all very talented writers and lovely people too. I’m really looking forward to finding out what’s the next big thing from them…

PS: For those of you who can read French and would be interested, the first volume of my trilogy, La Marque de l'Orage, is available on Amazon UK here (postage free!).

Wednesday, July 25, 2012

Tome 2: Le Vertige du Rhombus // The Vertigo of the Rhombus





Bonjour chers lecteurs!

Aujourd'hui, jour de mon anniversaire (je ne vous dirai pas quel âge!), j'ai décidé de vous toucher un mot (ou deux!) sur mon travail présent: le second tome des "Maîtres de l'Orage", Le Vertige du Rhombus

Je ne veux pas trop vous en dire 1) parce que je ne veux pas déflorer le livre et 2) parce que ce que je vais vous divulguer ici ne sera pas parole d'évangile -- en effet, les personnages prennent vie et entraînent souvent l'écrivain dans des directions auxquelles il/elle ne s'attend pas...

Ce que je peux vous dire c'est d'abord que le roman devrait sortir en avril/mai 2013. 

Ensuite... comme c'est mon anniversaire et que bon nombre d'entre vous ont montré de l'intérêt, voici l'argumentaire du second tome de la trilogie, soit un résumé des grands mouvements de l'histoire, qui vous donnera une petite idée de là où elle va nous emmener...

Le second tome, Le Vertige du Rhombus, se déroule parallèlement sur deux périodes, en 1942 et en 2012, et l'on redécouvre Marwen et Gaël à travers le regard de deux nouveaux narrateurs. En 1942, la France et l'Ile Verte sont sous la botte allemande depuis deux ans. La narratrice est Anne (sœur de James, personnage secondaire du premier roman) qui, ayant fui Paris, arrive sur l’île pour se réfugier chez sa grand-mère, la Dame du château, Mme de Tréharec. En parallèle, en 2012, Arnaud, le second narrateur, passe un été sur l’île, où il va faire des découvertes extraordinaires non seulement sur le passé mais aussi sur lui-même.

Alors que le premier tome parlait de légendes et de superstitions, le second tome parle plus de science : la science positive et altruiste du grand-père de Tréharec, ami de Nikola Tesla, contre la science destructrice, occulte et inhumaine des Nazis qui ont installé un laboratoire de recherches clandestinement sur l’île.

Plusieurs personnes disparaissent dans des circonstances étranges, justifiant le nom ancestral de l’île, Enez Disrann (l’île de la disparition), et nourrissant les peurs et les superstitions des Iliens. La quête d'Anne et de Marwen pour retrouver les disparus les amènera à découvrir un mystère qui affecte Gaël, et les conduira vers l’énigmatique « Rhombus », l’infernal secret des Nazis.

Pendant ce temps, en filigrane de l’histoire, invisible de (presque) tous, planera toujours l’ombre maléfique du Mal absolu entraperçu par Marwen à la fin du premier tome...

Bon, sur ce je retourne au travail! Merci beaucoup de votre visite et à bientôt!



Hello dear readers!

Today, on my birthday (I will not say how old!), I have decided to give you a short update on my current work: the second volume of "The Masters of the Storm", The Vertigo of the Rhombus. 

I don't want to say too much:

1) because I do not want to spoil the book for my readers and 

2) because what I tell you here will not be the gospel truth - indeed as the characters come to life, they often lead me in directions which I did not expect...

What I can tell you is
that it is due out in April / May 2013.

As it's my birthday, and since quite a few of you have shown interest... here below is a  broad-brushed summary of the story, which will give you a rough idea of ​​where the plot will take us.
 

In the second volume, The Vertigo of the Rhombus, there are two parallel narratives, one in 1942 and the other in 2012, and we rediscover Marwen and Gaël through the eyes of two new narrators. In 1942, France and the Green Island have been under German control for two years. The narrator is Anne, sister of James, a secondary character in the first novel. Having fled Paris, Anne arrives on the island to seek refuge with her grandmother, the Lady of the Manor, Madame de Tréharec. Meanwhile, in 2012, Arnaud, the second narrator, spends a summer on the island where he is going to make extraordinary discoveries, not only about the past but also about himself.

While the first volume was speaking of legends and superstitions, the second volume is more about science: the
positive and altruistic science of Anne de Tréharec's grandfather, a friend of Nikola Tesla's, against the destructive, occult and inhuman science of the Nazis, who have set up a clandestine research laboratory on the island.

Several people disappear under strange circumstances, justifying the ancestral name of the island, Enez Disrann (the island of disappearances), thus feeding the islanders' fears and superstitions.
Anne and Marwen's quest to find the missing people brings them to discover a mystery that affects Gaël, and leads them to the enigmatic "Rhombus", the infernal secret of the Nazis.
 
In the background to all of this, invisible to almost all (but glimpsed by Marwen at the end of the first volume), the brooding shadow of absolute Evil still threatens...

Now, it's back to work for me!  Thanks a lot for your visit and à bientôt!